It’s the first action movie score in a while to primarily and proudly boast themes that electrify without feeling the need to brood, and one can only hope that other composers will follow suit. Its biggest concern is being awesome on a scale of awe, and sporting just as much style as substance. Pacific Rim’s music is as enjoyable as the film for many of the same reasons. To say the least, Djawadi made sure to cover all bases here in terms of mood and emotions, and even without Morello’s assistance on the guitar fronts he proves to be perfectly capable of banging out grooving rhythms with plenty of attitude and drive. There’s even some brief cues of quirkiness and traces of despair and defeat. But the man who is actually behind the score to this summer’s most anticipated block buster is Academy Award Nominated composer John Debney, who has worked on everything from movies like Sin City to The Passion Of The Christ. Glitching synthesizers pound and echo as guitar riffs pummel like the hulking masses of machinery in the film, but among the soundtrack’s 25 tracks there’s just as much urgency as there is confidence and triumph. Last week, Tom Morello confirmed that he was contributing to the soundtrack of Marvel Studio’s Iron Man 2. That grand-scale feeling makes for very expansive music that has plenty of room to fit massive battles between mecha and Kaiju, and Djawadi makes sure to fill that space with a plentiful arsenal of styles such as industrial, orchestral, and heavy metal. Tom Morello also works with Djawadi for the first time since Iron Man’s soundtrack and just as he did with that score, brings his signature brand of riffing funk swagger to enhance the guitar assault on a good share of cuts, though with the difference this time around being that this music is on a much more grandiose scale than Iron Man was.
There’s moments of captivating tension here as any film with action sequences should have, but those moments feel all the more intense since there’s a concise supply of them.
There aren’t too many action films anymore whose soundtracks are concerned with trying anything else but being gripping and grim at an overtly constant rate, but Djawadi makes the right move of not taking it too seriously with the musical cues he constructs. If there’s gonna be a more metal-friendly mainstream movie this year, I don’t know what it is.Just after releasing the soundtrack that vividly brought to life the third season of the epic medieval fantasy world of dragons and magic that is Game of Thrones, Ramin Djawadi’s latest collection of compositions score a film in the completely opposite realm of futuristic sci-fi, Pacific Rim, in which humanity’s survival depends on the forces of enormous mecha “Jaegers” built to defeat the giant monsters, “Kaiju.” Having previously composed the score for the first Iron Man, Djawadi has had prior experience in creating themes for technologically advanced robot battle suits, and much like the Iron Man soundtrack, Pacific Rim’s score is very guitar-driven and fittingly for Pacific Rim, opts for a tone that’s just plain fun and kickass while remaining thrilling. This is in addition to the already-announced utilization of AC/DC on the IM2 soundtrack, as well as Lamb of God’s contribution of a new song to the movie tie-in video game. There’s something kinda ironic about that, given Morello’s political views, and the fact that the portrayal of said terrorists was cartoonish to be the point of being borderline racist, but I guess that’s a different conversation for a different time.) ( MI also points out that Morello played guitar on Djawadi’s score, and had a cameo as one of the terrorists Tony Stark offs in the cave scene. They replace Ramin Djawadi, whose score for the original Iron Man was one of the least memorable things about that flick. The rock act appeared on the station's breakfast show to promote the. If you weren’t already excited for Iron Man 2, this oughta do the trick: our friends at Metal Insider report that Tom Morello has revealed via Twitter that none other than Tom Morello is working on the score for the film in conjunction with composer John Debney (who also did the music for director Jon Favreau’s Elf, Sin City, and a whole lotta other crap). Rage Against The Machine performed an uncensored rendition of Killing In The Name' on BBC Radio 5Live this morning. Iron Man: Original Motion Picture Soundtrack is the soundtrack album to the 2008 film Iron Man, featuring music composed by Ramin Djawadi.The soundtrack was produced in collaboration with Hans Zimmer and Remote Control Productions, and was released on April 29, 2008, by Lions Gate Records.